![]() ![]() HBO Max’s top CDs and talent advise hopefuls to be themselves in the audition room. Sometimes, people get a little bit set on the way they’ve prepared it, and they need to be able to be flexible once they’re in the room.” As Vernieu told us, “If the casting director in the room is saying to you, ‘Could you just do it this way?’ there’s a reason why: The producers are asking for something in particular. ![]() However, you should also demonstrate flexibility, because knowing how to take direction is critical once you’ve secured the role. “Decide that unloved as a child or that they were spoiled as hell as a child-whatever it is. Don’t go into a room expecting the director to answer your question, because they haven’t got time,” she continued. Let’s do it again,’ and then they very politely direct them in a completely different way. And then the director will step forward and go, ‘OK, great. “It doesn’t matter if it’s wrong…because when you come into the room, you bring that into the room. “I always say to actors: Make a decision about the character,” she noted. If you’re looking to impress this seasoned group of industry veterans, James has some advice. Bernard Telsey of the Telsey Office and Adam Caldwell served as the main CDs for featured actors on Season 1 of “The Gilded Age,” for which they actively recruited Broadway talent.Mary Vernieu of Betty Mae Casting cast the young talent of HBO’s “Euphoria” alongside Jessica Kelly of Chrystie Street Casting and Jennifer Venditti.Francine Maisler of Francine Maisler Casting cast the Roy family on “Succession,” earning an Emmy nomination for her work on the hit drama.Kate Rhodes James of KRJ Casting cast the ensemble for HBO’s upcoming “Game of Thrones” prequel, “House of the Dragon.”.Each works for the given production company responsible for developing a particular project, of course, but it helps to know who’s out there making these decisions: HBO Max boasts some of the most prolific CDs in the business. We really work hard for actors, and I think actors don’t always realize that.” You think, Wow, how hard did I have to work to get that actor in that role who is now a huge success on the basis of this bit of casting, and you’re not recognized further down the line? That’s tough. I think that’s why so many casting directors get a bit grumpy the longer we do it, because we get overlooked so often. “Actors have no idea how much we fight on their behalf. And I always say to actors, ‘We are your warriors,’ ” she said. We don’t want to look at the people we already know about. “We’re constantly looking for the person that we don’t know about. We look at interviews and research.”Įven Kate Rhodes James (“House of Gucci,” “Sherlock”), the CD for the upcoming “Game of Thrones” prequel “House of the Dragon” looks for actors in unusual places. I don’t care about social media numbers at all, but we do look at YouTube. ![]() It’s not relying on the same resources that everything else is relying on. ![]() I feel like street casting isn’t always the appropriate way, because a lot of it is just doing research out of the box. For ‘Euphoria,’ we found a lot of people online. “ I don’t limit my casting I don’t think anyone can anymore,” she told us. Her fellow “Euphoria” CD Jennifer Venditti (“Honey Boy,” “Uncut Gems”) echoed this sentiment, noting that she takes to social media and the internet to seek fresh talent. I try to make sure that I’m really current.” I try to see everything I can, whether it’s a play or a TV show or movie. “I’ll see someone on a commercial and I’ll say, ‘Find that person.’ Or I’ll see someone on the street, and I will go up to them if they’re exactly right and I’m really needing that role-especially with kids…. “I think I drive everyone crazy,” Vernieu said. In fact, as “Euphoria” CD Mary Vernieu (“Promising Young Woman,” “Knives Out”) of Betty Mae Casting told us, looking outside the audition room for undiscovered talent has become a way of life for the teen drama and its casting directors. However, actors should know that traditional avenues are not the only way to land gigs on HBO. For those who have yet to find adequate representation, here’s how to find an acting agent who’s right for you. However, those who wish to secure a major speaking role-whether it be lead, supporting, or recurring-should seek out an agent who can help them land auditions that may not typically be open to the public. Like most networks, each of HBO Max’s projects is responsible for its own casting, so the process varies based on the production company and its casting directors. “The White Lotus” Courtesy Mario Perez/HBO ![]()
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